Tag: austin

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OV Recommends: The Selfless Lovers

On Vinyl recently sat down with one of Austin’s youngest old-school-feel-good jam bands, The Selfless Lovers. Fresh off a too short, but energetic set on the inside stage at Mohawk, lead singer Nik Parr gave us a deeper insight into his and the band’s dive into the Austin music scene. The soulful rock and roll group opened for Ripe, a touring funk band from Boston, on May 4, 2018 to a sold out venue.

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OV Recommends: Free Kittens & Bread / American Miserablist

Within recent decades, punk has taken a backseat to the overwhelming presence of alternative rock within Austin’s music scene. Local band Free Kittens & Bread deserves notable standing, as their music channels the spirit of punk into a sound that resonates with indie rock fans. Vibrant and fun, their music features alternative compositions that breathe lively rhythm into their catalog that you just can’t get out of your head. In addition, Chase Spruiell’s incredible vocals add to the band’s undeniable spunk. As we go through the suffering that is daylight savings and the transition of seasons, we are dusting off their last album and giving it all the love that it deserves. You should do the same.

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Wild Child’s ‘Expectations’ Album Release Show

 

“Silly Alex, don’t think that way.” – (“Alex” / Expectations)

Austin’s family sized folk band, Wild Child, released their newest album, Expectations on February 9, 2018. Those sensible opening words above are appropriately offered up by a child in the opening track, “Alex”. Like the 7-piece band’s latest release, children are free from most limitations and social norms. Wild Child’s Expectations is a refreshing collection of the band’s musical ideas free of any hesitation due to societal norms and regulations as to how a record should be constructed. Expectations takes the various ideas the band wanted to explore and somehow simultaneously encompasses the band’s familiar sound adored by fans for the last seven years.

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Edison Chair ‘Hope(s) You Get Everything’ You Deserve from Their Newest Video

The mega six-piece band Edison Chair unleashed their newest video and single on February 6, 2018. “I Hope You Get Everything” is the upbeat rock and roll band’s newest single and latest release since their “Sí Se Puede” video release back in March 2017. It seems like a trend the band has created by not only surprising fans with new music, but with something they can treat their eyes to, as well. On Vinyl sat down with the young band a week prior to the video release to find out more about the now-a-days unheard of unicorn band all born and raised in Austin.

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More local Austin artists take SXSW by storm

South by Southwest (SXSW) is an international arts festival that displays the best of film, interactive media, and music. Unsurprisingly, there are many Austinites taking main stage at this event in March.

We’ve listed the latest batch of Austin artists performing in 2018. From brooding electronica to classic folk you can’t go wrong seeing these world-class performers.

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Nominee sparks warmth when we need it most

I don’t know when or how it happened, but the live music experience has changed. The warmth that used to fill venues, a tangible energy that bubbled and blossomed in the bonds made between strangers, has been replaced by a prickly and sticky heat that exerts itself in the form of cranky elbows to the ribs and an unspoken agreement not to interact with those around you (unless they have a doobie you’re trying to sneak a puff of). Maybe it’s just that we are the first generation that values the video—the tangible evidence of attendance—more than the experience itself, and this means audiences are never fully present, their experience mediated and dampened by the screen held in front of their first. I fear that this loss of this vitality is symptomatic of a larger (and unnerving) societal trend of people growing apart from one another, too invested in hollow interactions mediated by a vacuous internet to interact and engage with other humans in the real world. It is depressing to think that the venues where I grew up (in both literal and figurative senses) and which hold my fondest memories might one day be obsolete, replaced by videos and virtual reality, but I would prefer that than to see the state of live music continue its current trajectory and end up void of all meaning.

Or so I thought.