On Vinyl recently sat down with one of Austin’s youngest old-school-feel-good jam bands, The Selfless Lovers. Fresh off a too short, but energetic set on the inside stage at Mohawk, lead singer Nik Parr gave us a deeper insight into his and the band’s dive into the Austin music scene. The soulful rock and roll group opened for Ripe, a touring funk band from Boston, on May 4, 2018 to a sold out venue.
One of the best feelings in the world is discovering new music. Therefore, if you haven’t already, it is strongly recommended that you check out the up and coming, hardworking, and talented artist Harry Edohoukwa. Edohoukwa’s unique style contains inspiration from both reggae and hip-hop, which not only demonstrates the different sound to his music, but also ties back to his heritage and ultimately why he wants to do music in general.
Within recent decades, punk has taken a backseat to the overwhelming presence of alternative rock within Austin’s music scene. Local band Free Kittens & Bread deserves notable standing, as their music channels the spirit of punk into a sound that resonates with indie rock fans. Vibrant and fun, their music features alternative compositions that breathe lively rhythm into their catalog that you just can’t get out of your head. In addition, Chase Spruiell’s incredible vocals add to the band’s undeniable spunk. As we go through the suffering that is daylight savings and the transition of seasons, we are dusting off their last album and giving it all the love that it deserves. You should do the same.
In a world where grunge is gagged on by soft mouths and rock is dying alongside the bedsides of those who refuse to listen to Uncle Acid, the ATX based band Coattails clings to the image of Texas Fuzz Rock with a white knuckle grip. Birthed with an aggressive backbone and an intentional grit, Coattails were founded under the influence of past legends such as Led Zeppelin, Jimi Hendrix, and Thee Oh Sees. Rich with raw prowess and the drive to stand apart, these Southern rock pioneers are fervently working on taming the beast within the blood; bringing new meaning to control, intention, and purposeful allure. Just call them The White Stripes of the new generation; except, imagine a distorted reality where Jack White had relations with John Lennon and they birthed the band Black Lips who then adopted and raised a group of fuzz monsters with the Queens of the Stone Age, and called them Coattails. Read on to learn more on the band that is bringing new life to harmonic grunge in the ATX scene, and remember: don’t get them wet, and whatever you do? Don’t feed them after midnight.
Local indie/bluesy funk band Kev Bev and the Woodland Creatures recently sat down with On Vinyl to share their insight, joy, and eclectic spin on what it is that makes the infectious “Kev Bev Sound.” Highlights from the intimate 1-on-9 conversation include a sneak peak into their upcoming album releases, obscure musical influences, and the paramount pursuit of happiness.
Post-punk, prozac-inspired, bread-punned rockers — Chris Toast & The Jerks are perhaps the newest band in Austin’s music scene.
The OV crew jumped at the chance to feature these progressive punk Austinites.
There exists a perplexing tendency to romanticize the music of past generations and lament the “downfall” and gradual erosion of music over time. It is the critical equivalent of the age-old “grass is always greener” adage, a wistful longing for a return to the “golden generation” of music. The reality, however, is that music does not regress —it only progresses. Music is by its very nature dynamic, constantly transforming and adapting to explore new ideas and to revisit old ideas in innovative ways. Our culture is not a vacuum; today’s music is both an homage to and progression of that which came before it. There does not exist any “golden age” of music, nor of any genre; the golden age of music is the entire history and the complete body of music that has been created throughout human history.
This revelation came to me induced by a conversation with Austin’s very own Huggy & The Feel Goodz, a seven-piece soul outfit dedicating themselves to replenishing the world with much-needed good vibes through their unique brand of “New R&B.” With the release of their brand-new EP, Chapter One, the Feel Goodz expand upon the soulful standards set by genre-defining pioneers like Marvin Gaye and D’Angelo and imbue them with their own fresh attitude and desire to connect to new and modern audiences. We had the chance to ask Huggy himself and musical director Ari Burns a few questions that arose out of repeated listens to the Chapter One EP. We think that their answers will enrich your own listening experience, as they did ours; as such, this piece begins with an interview delving into the creative minds behind the EP’s concoction before we explore the music itself.
“If you have to ask what jazz is, you’ll never know.”
This quote was said by the esteemed jazz trumpeter, composer, and vocalist, Louis Armstrong. With jazz, it’s not about knowing; it’s about hearing and learning. The saying that all great writers were first great readers resonates with music, too. All great musicians were first great listeners.
It’s easy for people to assume that great musical successes have always been hustling in the music industry but in fact there are hundreds of musicians who never knew what their careers would later come to. Iconic musicians like Debbie Harry of Blondie and Sheryl Crow didn’t make it until later in the game when they met international success in their 30’s. Hundreds of people share those stories and have one way or another found themselves in music.