Local indie/bluesy funk band Kev Bev and the Woodland Creatures recently sat down with On Vinyl to share their insight, joy, and eclectic spin on what it is that makes the infectious “Kev Bev Sound.” Highlights from the intimate 1-on-9 conversation include a sneak peak into their upcoming album releases, obscure musical influences, and the paramount pursuit of happiness.
Post-punk, prozac-inspired, bread-punned rockers — Chris Toast & The Jerks are perhaps the newest band in Austin’s music scene.
The OV crew jumped at the chance to feature these progressive punk Austinites.
There exists a perplexing tendency to romanticize the music of past generations and lament the “downfall” and gradual erosion of music over time. It is the critical equivalent of the age-old “grass is always greener” adage, a wistful longing for a return to the “golden generation” of music. The reality, however, is that music does not regress —it only progresses. Music is by its very nature dynamic, constantly transforming and adapting to explore new ideas and to revisit old ideas in innovative ways. Our culture is not a vacuum; today’s music is both an homage to and progression of that which came before it. There does not exist any “golden age” of music, nor of any genre; the golden age of music is the entire history and the complete body of music that has been created throughout human history.
This revelation came to me induced by a conversation with Austin’s very own Huggy & The Feel Goodz, a seven-piece soul outfit dedicating themselves to replenishing the world with much-needed good vibes through their unique brand of “New R&B.” With the release of their brand-new EP, Chapter One, the Feel Goodz expand upon the soulful standards set by genre-defining pioneers like Marvin Gaye and D’Angelo and imbue them with their own fresh attitude and desire to connect to new and modern audiences. We had the chance to ask Huggy himself and musical director Ari Burns a few questions that arose out of repeated listens to the Chapter One EP. We think that their answers will enrich your own listening experience, as they did ours; as such, this piece begins with an interview delving into the creative minds behind the EP’s concoction before we explore the music itself.
“If you have to ask what jazz is, you’ll never know.”
This quote was said by the esteemed jazz trumpeter, composer, and vocalist, Louis Armstrong. With jazz, it’s not about knowing; it’s about hearing and learning. The saying that all great writers were first great readers resonates with music, too. All great musicians were first great listeners.
It’s easy for people to assume that great musical successes have always been hustling in the music industry but in fact there are hundreds of musicians who never knew what their careers would later come to. Iconic musicians like Debbie Harry of Blondie and Sheryl Crow didn’t make it until later in the game when they met international success in their 30’s. Hundreds of people share those stories and have one way or another found themselves in music.
Many times music fans buy tickets to see their favorite headlining artists, overlooking the opening acts, sometimes even going as far as to arrive late so that they don’t have to sit through it. But just because it’s done, doesn’t mean it should be. Often times these types of fans miss out on some great performances because of those bad habits. Here is a list of some really great artists who will be performing at The Mohawk this year that are openers now but will one day soon be the headliner.
Today I spoke with David Kapsner, a singer and guitarist for The Mammoths, a local Austin band with a sound lies at the intersection of country, metal, and rock. The band has just cancelled their San Antonio show due to the devastation and dangers of Hurricane Harvey but after playing at Stubb’s on Friday they plan to hit the road for their second tour this year. Their tour spans from Georgia and Mississippi all the way up to New York City and back just like their earlier tour this year in February 2017 except now they are able to enjoy the experience with better venues and larger audiences.
My favorite SoCo Hotel valet boy greets me as I hurriedly step out of my car for my next meeting. They know it’s me because I drive the same dusty SUV with Texas music plates around to them nearly every day and I probably look like a mad woman who parks there four times a day. Then I see Ian Cochran–he’s the only reason why I’m always on-time to any of my meetings rather than driving around trying to find parking on South Congress. And my favorite part about him? No, not his full beard or Austin-y man bun–though I do like, I do! It’s the fact that when I don’t see him at the South Congress Hotel, I can see him after work hours at HandleBar with his cowboy rock band.
Lone, isolated synths. Brooding guitar picks. A muted, tortured voice… And that’s just the first forty-five seconds. Similar to the debut work of The xx, “Escape” places us in a monochromatic world where yellow flashes fight […]